An arch pushes outward on its supports as well as down. For the same load and span the horizontal push grows as the rise falls: halve the rise and you roughly double the thrust.
H ≈ w·s² ⁄ 8f (uniform load w per metre, span s, rise f)
Rules · Proportion · Plans
Proportion rooms and façades by the same ratios that make musical consonances: 1:2 (octave), 2:3 (fifth), 3:4 (fourth), and their compounds.
short plans 1:1, 2:3, 3:4 · medium 1:2, 4:9, 9:16 · long 1:3, 3:8, 1:4
Pythagoras discovered that strings whose lengths stand in simple ratios sound in harmony. Alberti argued that the numbers which please the ear must also please the eye, and classified room shapes as short, medium and long according to the consonances they embody.
An arch pushes outward on its supports as well as down. For the same load and span the horizontal push grows as the rise falls: halve the rise and you roughly double the thrust.
H ≈ w·s² ⁄ 8f (uniform load w per metre, span s, rise f)
To find how thick the pier of an arch must be, divide the intrados into three equal parts; draw a line from the springing through the first division, and produce it beyond the springing by its own length. A vertical through the end of that line marks the outer face of the pier.
pier ≈ ¼ span (semicircle) · ≈ 0.23 span (equilateral) · less for a lancet
To unify a façade of two or more storeys, run a single order of pilasters or columns through all of them, from the base to the main cornice.
Give the villa garden porticoes for sun and for shade, grottoes made in imitation of nature with tufa and shells, evergreens planted in straight rows at equal distances, and hedges of box; set vines on columns over the walks.
Lay the ideal garden out on a circular plan in concentric rings, woods outside, then meadows and orchards, then gardens of knots and clipped evergreens divided by walks, with water and the fountain of the goddess at the centre.
Take the plan, the orders and the details from the builders’ pattern books, simplified for timber and for the carpenter: a symmetrical front, a central hall and stair with rooms either side, a doorway under a pediment or fanlight, and mouldings drawn to be made with the plane.
Cite this page Chris Paton, “Ratios from the musical consonances”, The Textbook of Architecture, https://textbookofarchitecture.com/rule/alberti-harmonic-ratios. Text, drawings and models licensed under CC BY-NC 4.0.