Lift the dome on a cylindrical or polygonal drum pierced with windows between the ring of the pendentives and the springing of the dome, to light the centre of the church and to make the dome visible from afar.
drum height ≈ ⅓–1 × its radius (Byzantine); much taller in Russian churches
A windowed drum (red) between the pendentives and the dome.Open in Models ↗
In Hagia Sophia the windows are set in the base of the dome itself; later Byzantine builders separated them into a distinct drum, which grew taller and more slender over the centuries. The drum makes the dome an exterior monument as well as an interior canopy and puts the brightest light at the centre of the church, directly beneath the image of Christ Pantokrator in the dome.
Russian builders pushed the drum to extremes, lifting domes high above the roof so that they could be seen over snow and forest. In the Renaissance the drum became the base of the great city-domes of Florence and St Peter’s.
To set a round dome on a square bay, imagine a sphere passing through the four corners of the square; cut it by the four vertical planes of the sides and by the horizontal plane of their crowns. The four spherical triangles left in the corners are the pendentives; the circle at their top carries the dome.
sphere radius R = S⁄√2; arches = sphere ∩ side planes (radius S⁄2); ring at h₀ + S⁄2 with radius S⁄2
Throw an arch diagonally across each upper corner of the square, backed by a small conch or cone; the four squinches and the four walls between them make an octagon, on which a round dome can sit.
octagon side = S (√2 − 1) ≈ 0.414 S; squinch span = octagon side
If the sphere that forms the pendentives is simply continued above the ring, the bay is covered by a single shallow dome, the sail vault or pendentive dome, which springs directly from the four corners.
crown = h₀ + S⁄√2 (lower than a hemisphere on the ring, h₀ + S)
Pierce the base of the dome with a close ring of windows between buttressing ribs, so that the shell seems to float on light rather than to rest on the arches.
Hagia Sophia: 40 windows and 40 ribs; dome ≈ 31 m across, crown 55.6 m above the floor
To turn a domed square into a long church, open two of its great arches into semidomes of the same radius, and open the semidomes in turn into smaller exedrae, so that the space expands by stages from the central dome.
Hagia Sophia: central square 31 m; two semidomes of radius ≈ 15.5 m; four exedrae; interior ≈ 31 × 70 m
Where no semidome takes the thrust of the dome, on the north and south, carry it across the aisles to massive buttress piers that rise above the roofs, and fill the great arches with thin walls pierced by windows.
Cite this page Chris Paton, “Raise the dome on a drum”, The Textbook of Architecture, https://textbookofarchitecture.com/rule/dome-on-drum. Text, drawings and models licensed under CC BY-NC 4.0.