Date a Gothic window by its tracery: openings pierced through a plate (twelfth century); geometric bar tracery of circles and foils (thirteenth); flowing curvilinear tracery of ogees and daggers (fourteenth); and, in England, perpendicular panel tracery with mullions running straight up into the arch (late fourteenth to sixteenth).
Change the tracery type to compare three centuries of the Gothic window.Open in Models ↗
Thomas Rickman’s names (Early English, Decorated, Perpendicular) were coined in 1817 to classify English churches and are still used; the continental equivalents are Rayonnant (for the radiating tracery of the mid-thirteenth century) and Flamboyant (for the flame-like curvilinear forms of the fifteenth). Perpendicular, England’s own last Gothic, turns the window into a grid of panels and matches it with panelled walls and fan vaults.
Raise the central nave above the lean-to roofs of the aisles and pierce the upper walls with a row of windows, the clerestory, so that the middle of a wide hall is lit from high on both sides.
nave height ≈ 1½–2 × nave width; one window over each bay of the arcade
Load the top of a buttress pier with a heavy pinnacle: the added weight steepens the resultant of the flyer’s thrust and the pier’s own weight, keeping it well inside the base of the pier.
Draw a square the width of the pinnacle; inscribe a second square on the mid-points of its sides, and a third on the mid-points of the second. Turned back into line, the squares give the widths of the body, its panels and the spire; every height is a multiple of the first side.
Instead of cutting separate openings through a plate of wall, fill the whole window arch with glass and divide it by slender stone bars (mullions below, and circles, foils and sub-arches above) set out with compasses from the centres of the window’s own arches.
Design a rose by dividing the circle into equal sectors; fill each with the same traceried unit (a light with a cusped pointed head, an oculus above) radiating from a central hub, so that the whole is generated from one sector by rotation.
Let the principal room of the front stand out in a bay window, canted or square, under its own gable: more light, a view along the street as well as across it, and a front that shows where the best room is.
Cite this page Chris Paton, “Plate, geometric, curvilinear, perpendicular”, The Textbook of Architecture, https://textbookofarchitecture.com/rule/tracery-sequence. Text, drawings and models licensed under CC BY-NC 4.0.