An arch pushes outward on its supports as well as down. For the same load and span the horizontal push grows as the rise falls: halve the rise and you roughly double the thrust.
H ≈ w·s² ⁄ 8f (uniform load w per metre, span s, rise f)
Rules · Proportion · Pedestals · Entablatures · Modules
Divide the whole height into nineteen parts: four for the pedestal, twelve for the column, three for the entablature. Without a pedestal, divide it into fifteen, giving twelve to the column and three to the entablature.
pedestal = ⅓ column; entablature = ¼ column
The genius of the rule is that it works for every order: only the division of the column height into modules changes. Given a storey height, a draughtsman can lay out a correct order with nothing but dividers.
An arch pushes outward on its supports as well as down. For the same load and span the horizontal push grows as the rise falls: halve the rise and you roughly double the thrust.
H ≈ w·s² ⁄ 8f (uniform load w per metre, span s, rise f)
To find how thick the pier of an arch must be, divide the intrados into three equal parts; draw a line from the springing through the first division, and produce it beyond the springing by its own length. A vertical through the end of that line marks the outer face of the pier.
pier ≈ ¼ span (semicircle) · ≈ 0.23 span (equilateral) · less for a lancet
Proportion every step so that twice its height plus its depth equals the length of a natural pace on the level: two feet, or 24 pouces.
2 r + g = 24 pouces ≈ 65 cm (modern practice: 60–66 cm)
Hold that the beauty of the orders comes from fixed proportions that please by nature, as consonances do in music; where the ancients differ, the differences answer to circumstances such as distance and height.
Keep every triglyph centred over a column and every intercolumniation equal, and finish the frieze at the corner with a half-metope half a module wide.
corner semi-metope = ½ M (Vitruvius); equal intercolumniations throughout
Judge every building against the first shelter: four trees for columns, branches laid across them for the entablature, and a pitched roof whose end makes the pediment. These three are the essential parts; all else is added.
Cite this page Chris Paton, “Vignola’s general rule: 4 : 12 : 3”, The Textbook of Architecture, https://textbookofarchitecture.com/rule/vignola-general-rule. Text, drawings and models licensed under CC BY-NC 4.0.