The Textbook of Architecture

Styles · Modern & Contemporary

Art Deco

also Style moderne, Jazz Moderne, Streamline Moderne (later phase)

Walk through a Manhattan setback district →
When
1920 – 1940
Where
Worldwide: New York, Paris, Miami, Shanghai, Mumbai, Napier
Rules
6
PlateThe New York setback envelope, filled with a stepped base and a tower with a Deco crown. Open in Models ↗

A glamorous modern style of the interwar years: stepped, setback masses, strong verticals, geometric ornament of zigzags, sunbursts and chevrons, and luxurious materials: the style of the skyscraper, the cinema and the ocean liner.

The name comes from the Exposition internationale des arts décoratifs et industriels modernes held in Paris in 1925, though it was only applied in the 1960s. Art Deco borrowed from many sources at once: the geometry of Cubism, the stepped forms of Mesoamerican and Egyptian architecture (Tutankhamun’s tomb was opened in 1922), the machine, and the stylised ornament of the Vienna Secession. It combined them into a decorative modernism for department stores, cinemas, hotels, liners and office towers.

In New York the style met the zoning resolution of 1916, which required tall buildings to step back from the street behind sloping planes, while allowing a tower of unlimited height on a quarter of the lot. Hugh Ferriss’s drawings of these envelopes as stepped mountains inspired architects to treat the law as sculpture. The result was the ziggurat skyline: the Barclay–Vesey Building (1923–27), the Chanin, the Chrysler Building (1928–30) with its stainless-steel crown of sunbursts, the Empire State Building (1930–31), and the ensemble of Rockefeller Center (1930–39).

Deco ornament is geometric rather than naturalistic: zigzags, chevrons, sunbursts, fluted bands and stylised figures, executed in terracotta, bronze, nickel, coloured glass, lacquer and exotic woods. Vertical piers and recessed spandrels emphasise height, as in Sullivan’s towers, but the crowns become fantastic. In the 1930s, streamlining (rounded corners, horizontal speed lines, porthole windows) produced the Streamline Moderne of Miami Beach hotels and bus stations.

The Depression and the Second World War ended the style, and the modernists dismissed it as decoration. Its revival in taste since the 1970s has led to the protection of whole districts, such as Miami Beach and the town of Napier in New Zealand, rebuilt in Deco after an earthquake in 1931.

Fig. 1A 1½-times district: a lower street wall and a steeper wedding cake. Open in Models ↗
Fig. 2The Chicago tower that Deco inherited: verticals, base, crown. Open in Models ↗

The rules of Art Deco

One grid for the whole island

Lay the whole island out in a single rectangular grid regardless of the ground: avenues 100 ft wide running its length, cross streets 60 ft wide across it, and blocks 200 ft deep between them, the houses to be straight-sided and right-angled because such houses are cheapest to build and most convenient to live in.

avenue 100 ft (30 m) · street 60 ft (18 m) · block 200 ft (61 m) deep, 600–900 ft long

Cite this page Chris Paton, “Art Deco”, The Textbook of Architecture, https://textbookofarchitecture.com/style/art-deco. Text, drawings and models licensed under CC BY-NC 4.0.