The heart of the Byzantine capital around the year 1000: Hagia Sophia and the Augustaion, the walled Great Palace entered by the Chalke, the Hippodrome, and the Mese running west between its porticoes to the round Forum of Constantine, with courtyard houses, monasteries and parish churches behind.
Constantinople was not laid out on a single plan but governed by rules. Its main street, the Mese, ran from the Milion (the zero-mile arch by the Great Church) westward through a chain of fora, lined by porticoes with shops. Zeno’s law of the late fifth century, kept in Justinian’s Code, regulated what could be built: twelve feet between a new house and its neighbour, balconies only above fifteen feet, no new building to block a neighbour’s view of the sea within a hundred feet, and small, marble-faced shops between the columns of the porticoes. Julian of Ascalon’s rules, from the same age, kept ovens, baths, kilns, dyers and tanners away from houses and minded the wind.
The Book of the Eparch, issued under Leo VI in about 912, placed the trades: the silversmiths on the Mese in full view; the perfumers between the Milion and the Chalke so that their scent rose to the icon over the palace gate. Procopius, writing for Justinian, gives the monuments: the Great Church rising over the city, and in the Augustaion the bronze column with the emperor on horseback facing east.
This model is a schematic reconstruction, compressed to fit: the monuments stand in their true relation to one another, but the houses, lanes, monasteries and parish churches are typical rather than surveyed. The residential quarters thin out toward the Golden Horn into gardens and orchards, as they did in the middle Byzantine city, and the offensive trades stand by the southern shore.