M. H. Baillie Scott · Houses and Gardens
XI. The Music Room
The principles of acoustics are so little understood that it is difficult to advance any definite suggestion as to the best size or shape for a music-room. In most houses it is the drawing-room which usually fulfils this function; and, when crowded with furniture and draperies, the result is not usually satisfactory, as the sound becomes muffled and choked. Amongst other advantages of sparse furnishing and uncarpeted floors may be included the appropriateness of such surroundings in a room which is used for music. A room specially designed for music should have few draperies and rugs and no carpet. Panelling is the best covering for its walls, and the best position for the room is probably one where it is surrounded by other rooms. Thus, if it is on the ground floor it would be improved if placed over a cellar. In a large music-room a stage may be introduced with good effect, and this isolated floor for the piano will often improve the sound.
In some cases a gallery to a hall may be used for music, and this traditional feature may meet modern requirements in the most satisfactory way. It will be especially appropriate on festive occasions, and the position of the performers will help to give a quality of mystery to the music, which may add greatly to its effect.
Public-domain text (1906). Transcribed from the OCR of the Internet Archive’s scan of the Getty Research Institute’s copy (gri_33125001067863) and cleaned for reading: line-end hyphens rejoined, running heads, page numbers and captions removed, and misreadings corrected, among them the stray letters a crease in the scan scatters through the words of some pages. Baillie Scott’s colour plates, drawings, plans and photographs, and the lists of them, are not reproduced.