The Textbook of Architecture

J. M. von Mauch · The Roman Doric Order and the Masters

Plate 21. Doric Order of Andrea Palladio

1 live illustration in this chapter

Andrea Palladio (1518-1580) allowed himself little deviation from his models, although he has not given the corona of the cornice such a strong projection as we find on the Doric order of the Theatre of Marcellus. One could criticise that he has undercut the drops of the soffit too much, but it seems to have been his purpose thereby to make the cornice appear stronger, to compensate in a measure for the considerably lessened projection. He has not used dentils, his triglyphs project, and the tænia whereon the drops or guttæ hang breaks out around, although the antiques continued unbroken. The architrave has two facias similar to the Baths of Diocletian on the previous plate. The capital is the same as at Marcellus, except it differs in the proportions of its members. The impost also is arranged similar to that model.

Fig. 1The Doric as the authorities drew it, side by side: the masters whose orders Mauch compares on Plates 21–25. Open in Models ↗

Public-domain text (1910), transcribed from the archive.org OCR of the Architectural Reprint edition and cleaned for reading: line-end hyphens rejoined, running heads, page numbers and the German and French captions engraved on the plates removed, and obvious misreadings corrected. Fractions the scan does not show legibly are marked […]; words lost at a page edge are restored in [brackets]. The nomenclature lists of Plates 23, 24, 29, 49, 75 and 82 are set as running text. Mauch’s plates (from his German edition of 1845) are not reproduced; the live figures are this book’s own.