The Textbook of Architecture

Andrea Palladio · The Fourth Book

The Preface to the Reader

IF upon any fabrick labour and industry may be bestowed, that it may be comparted with beautiful measure and proportion; this, without any doubt, ought to be done in temples; in which the maker and giver of all things, the almighty and supream God, ought to be adored by us, and be praised, and thanked for his continual benefactions to us, in the best manner that our strength will permit. If, therefore, men in building their own habitations, take very great care to find out excellent and expert architects, and able artificers, they are certainly obliged to make use of still much greater care in the building of churches. And if in those they attend chiefly to conveniency, in these they ought to have a regard to the dignity and grandeur of the Being there to be invoked and adored; who being the supream good, and highest perfection, it is very proper, that all things consecrated to him, should be brought to the greatest perfection we are capable of. And indeed, if we consider this beautiful machine of the world, with how many wonderful ornaments it is filled, and how the heavens, by their continual revolutions, change the seasons according as nature requires, and their motion preserves itself by the sweetest harmony of temperature; we cannot doubt, but that the little temples we make, ought to resemble this very great one, which, by his immense goodness, was perfectly compleated with one word of his; or imagine that we are not obliged to make in them all the ornaments we possibly can, and build them in such a manner, and with such proportions, that all the parts together may convey a sweet harmony to the eyes of the beholders, and that each of them separately may serve agreeably to the use for which it shall be appointed. For which reason, although they are worthy to be much commended, who being guided by an exceeding good spirit, have already built temples to the supream God, and still build them; it does not seem, nevertheless, that they ought to remain without some little reprehension, if they have not also endeavoured to make them in the best and most noble form our condition will permit.

Hence, because the antient Greeks and Romans employed the utmost care in building the temples to their Gods, and composed them of the most beautiful architecture, that they might be made with so much greater ornaments, and in greater proportion, as that they might be suitable for the God to whom they were consecrated; I shall shew in this book, the form and the ornaments of many antient temples, of which the ruins are still to be seen, and by me have been reduced into designs, that every one may know in what form, and with what ornaments churches ought to be built. And although there is but a small part of some of them to be seen standing above-ground, I nevertheless from that small part, (the foundations that could be seen being also considered) have endeavoured, by conjecture, to shew what they must have been when they were entire. And in this Vitruvius has been a very great help to me; because, what I saw, agreeing with what he teacheth us, it was not difficult for me to come at the knowledge of their aspect, and of their form.

But to the ornaments, that is, the bases, columns, capitals, cornices, and such like things, I have added nothing of my own; but they have been measured by me with the utmost attention, from different fragments, found in the places where these temples stood. And I make no doubt, but that they, who shall read this book, and shall consider the designs in it carefully, may be able to understand many places, which in Vitruvius are reputed very difficult, and to direct their mind to the knowledge of the beautiful and proportionable forms of temples, and to draw from them various very noble inventions; making use of which in a proper time and place, they may shew, in their works, how one may, and ought to vary, without departing from the precepts of the art, and how laudable and agreeable such variations are.

But before we come to the designs, I shall, as I usually do, briefly mention those advertencies, that in building of temples ought to be observed; having also taken them from Vitruvius, and from other very excellent men, who have written of so noble an art.

Public-domain text (London, published by Isaac Ware, 1738). Read from the Internet Archive’s scan (gri_33125011569684) of the copy in the Getty Research Institute, by way of Wikimedia Commons, where it is marked public domain. That scan’s text layer had lost the ends of the lines on every left-hand page, so the pages were read again from the scan’s images, the two readings compared word by word, and the text cleaned: the long s (ſ) is printed s and the ct and st ligatures as plain letters, words broken at the ends of lines are joined, and running heads, page numbers, signatures and catchwords are removed. Ware’s spelling, capitals and punctuation are otherwise kept (shew, publick, antient, compleat). Chapter titles and words the OCR misread were corrected against the page images. Some misreadings will remain, most of them in the italic prefaces and the Latin of Book III. Ware’s dedication, the list of subscribers, his table of terms, the errata and the bookseller’s advertisement are not reproduced. Nor are the 212 engraved plates, their inscriptions, or the keys to the letters on them that Ware prints in the text: where Palladio writes “as in the design” the figure is in the printed book.