Draw a pointed arch from two centres on the springing line. With the centres at the springings, the arch is equilateral; with centres beyond them, a lancet; with centres between them, a drop arch. Late Gothic added arches of four centres and the reversed curve of the ogee.
r = s (equilateral) · r > s (lancet) · s⁄2 < r < s (drop)
The equilateral arch takes its name from the equilateral triangle whose apex is its crown and whose base is the span. Its rise is √3⁄2 of the span, about 0.87. The Islamic world had used pointed arches since the eighth century; they reached Burgundy and Normandy in the late eleventh century, at Cluny III and Durham, before becoming the hallmark of Gothic.
English Perpendicular preferred the flat four-centred (Tudor) arch; the ogee, convex below and concave above, became the signature of fourteenth-century Decorated work and of Venetian Gothic. Every family in this book is generated from its centres: turn on Construction in the model to see them.
Build an arch of wedge-shaped stones (voussoirs) whose joints all point towards the centre of the curve: each stone can then fall only by forcing its neighbours apart, and so the ring holds itself up once the last stone, the keystone, is in place.
joints ⟂ intrados (radial to the centre)
An arch pushes outward on its supports as well as down. For the same load and span the horizontal push grows as the rise falls: halve the rise and you roughly double the thrust.
H ≈ w·s² ⁄ 8f (uniform load w per metre, span s, rise f)
A chain hanging freely takes the one shape in which it is in pure tension; turn that shape upside down and it is the shape of an arch in pure compression for the same loads.
free-hanging chain (catenary) ↔ ideal arch under its own weight
Trace the path of the resultant force through the stones from crown to foundations. If a line can be found that stays everywhere within the masonry, the arch will stand; where it touches an edge, a hinge will open, and four hinges make it collapse.
Classify arches by the geometry of the intrados: the number and position of the centres (one for round and segmental, two for pointed, three or four for basket and Tudor arches), or a single continuous curve (ellipse, parabola, catenary), and distinguish true arches, with voussoirs, from corbelled “arches” of oversailing courses.
A round arch must rise half its span, so arches of different spans on one springing line have crowns at different heights. A pointed arch can be given any rise at least half its span, so arches of different widths can all be made to reach the same height.
round: f = s⁄2 (fixed) · pointed: r = (s²⁄4 + f²) ⁄ s for any f ≥ s⁄2
Cite this page Chris Paton, “How the pointed arches are drawn”, The Textbook of Architecture, https://textbookofarchitecture.com/rule/arch-families. Text, drawings and models licensed under CC BY-NC 4.0.